You can give up tomorrow.

Lol

If my mum didn’t laugh at my jokes, I don’t think I would have any friends.

It’s her thinking I’m funny that makes me think I’m funny and me thinking I’m funny makes me think people will like me because I’m funny and so they do because they pity me and my bad jokes.

That’s not entirely true, but seriously, my parents are probably the only ones that think I’m cool. And maybe my siblings.


jennyowenyoungs:

yelyahwilliams:

shauncey:

thejoshlovell:

sleepysenses:

suicideblonde:

INGLOURIOUS BASTERDS Fits Perfectly into Quentin Tarantino’s Movie Universe and Influences the Entire Filmography
By now, most Quentin Tarantino fans are aware of the connections interlaced throughout all of his films. John Travolta’s Vincent Vega in Pulp Fiction is the brother of Michael Madsen’s Vic Vega in Reservoir Dogs, Harvey Keitel’s Mr. White worked with Alabama from True Romance, the plot basis for Kill Bill is described as the synopsis for a TV series in Pulp Fiction, etc.
Now the epiphany that Eli Roth’s character of Donny Donowitz aka “The Bear Jew” in Inglourious Basterds is the father of the movie producer Lee Donowitz in True Romance has inspired a truly mind-blowing theory that the rest of the films (chronologically speaking) in Tarantino’s filmography take place in a world where [Inglorious Basterds spoiler] World War II came to an end when Adolf Hitler was brutally murdered in a movie theater by the Basterds.
This initial connection was brought up in an article on Cracked, but a poster on Reddit (via David Chen’s Twitter) has more eloquently summed up what this means for Tarantino’s movieverse:
As it turns out, Donny Donowitz, ‘The Bear Jew’, is the father of movie producer Lee Donowitz from True Romance – which means that, in Tarantino’s universe, everybody grew up learning about how a bunch of commando Jews machine gunned Hitler to death in a burning movie theater, as opposed to quietly killing himself in a bunker. Because World War 2 ended in a movie theater, everybody lends greater significance to pop culture, hence why seemingly everybody has Abed-level knowledge of movies and TV. Likewise, because America won World War 2 in one concentrated act of hyperviolent slaughter, Americans as a whole are more desensitized to that sort of thing. Hence why Butch is unfazed by killing two people, Mr. White and Mr. Pink take a pragmatic approach to killing in their line of work, Esmerelda the cab driver is obsessed with death, etc. You can extrapolate this further when you realize that Tarantino’s movies are technically two universes – he’s gone on record as saying that Kill Bill and From Dusk ‘Til Dawn take place in a ‘movie movie universe’; that is, they’re movies that characters from the Pulp Fiction, Reservoir Dogs, True Romance, and Death Proof universe would go to see in theaters. (Kill Bill, after all, is basically Fox Force Five, right on down to Mia Wallace playing the title role.) What immediately springs to mind about Kill Bill and From Dusk ‘Til Dawn? That they’re crazy violent, even by Tarantino standards. These are the movies produced in a world where America’s crowning victory was locking a bunch of people in a movie theater and blowing it to bits – and keep in mind, Lee Donowitz, son of one of the people on the suicide mission to kill Hitler, is a very successful movie producer. Basically, it turns every Tarantino movie into alternate reality sci fi. I love it so hard.

fuckkk.

This is pretty awesome.

Wow.

My mind hurts. This is crazy.

Kaboom

WHAT!!!  WWWWWWWWWHHHAAAAAAAAAAAAAAAAAT!!!
Holy damn shit.

jennyowenyoungs:

yelyahwilliams:

shauncey:

thejoshlovell:

sleepysenses:

suicideblonde:

INGLOURIOUS BASTERDS Fits Perfectly into Quentin Tarantino’s Movie Universe and Influences the Entire Filmography

By now, most Quentin Tarantino fans are aware of the connections interlaced throughout all of his films. John Travolta’s Vincent Vega in Pulp Fiction is the brother of Michael Madsen’s Vic Vega in Reservoir Dogs, Harvey Keitel’s Mr. White worked with Alabama from True Romance, the plot basis for Kill Bill is described as the synopsis for a TV series in Pulp Fiction, etc.

Now the epiphany that Eli Roth’s character of Donny Donowitz aka “The Bear Jew” in Inglourious Basterds is the father of the movie producer Lee Donowitz in True Romance has inspired a truly mind-blowing theory that the rest of the films (chronologically speaking) in Tarantino’s filmography take place in a world where [Inglorious Basterds spoiler] World War II came to an end when Adolf Hitler was brutally murdered in a movie theater by the Basterds.

This initial connection was brought up in an article on Cracked, but a poster on Reddit (via David Chen’s Twitter) has more eloquently summed up what this means for Tarantino’s movieverse:

As it turns out, Donny Donowitz, ‘The Bear Jew’, is the father of movie producer Lee Donowitz from True Romance – which means that, in Tarantino’s universe, everybody grew up learning about how a bunch of commando Jews machine gunned Hitler to death in a burning movie theater, as opposed to quietly killing himself in a bunker. Because World War 2 ended in a movie theater, everybody lends greater significance to pop culture, hence why seemingly everybody has Abed-level knowledge of movies and TV. Likewise, because America won World War 2 in one concentrated act of hyperviolent slaughter, Americans as a whole are more desensitized to that sort of thing. Hence why Butch is unfazed by killing two people, Mr. White and Mr. Pink take a pragmatic approach to killing in their line of work, Esmerelda the cab driver is obsessed with death, etc. You can extrapolate this further when you realize that Tarantino’s movies are technically two universes – he’s gone on record as saying that Kill Bill and From Dusk ‘Til Dawn take place in a ‘movie movie universe’; that is, they’re movies that characters from the Pulp Fiction, Reservoir Dogs, True Romance, and Death Proof universe would go to see in theaters. (Kill Bill, after all, is basically Fox Force Five, right on down to Mia Wallace playing the title role.) What immediately springs to mind about Kill Bill and From Dusk ‘Til Dawn? That they’re crazy violent, even by Tarantino standards. These are the movies produced in a world where America’s crowning victory was locking a bunch of people in a movie theater and blowing it to bits – and keep in mind, Lee Donowitz, son of one of the people on the suicide mission to kill Hitler, is a very successful movie producer. Basically, it turns every Tarantino movie into alternate reality sci fi. I love it so hard.

fuckkk.

This is pretty awesome.

Wow.

My mind hurts. This is crazy.

Kaboom

WHAT!!!  WWWWWWWWWHHHAAAAAAAAAAAAAAAAAT!!!

Holy damn shit.


Texting from your bed in one room to someone across the hallway in their own bed.

True love.

A.K.A. Brotherhood / siblinghood / family.


Firsts

I’ve started to compile a mental list of things to do and listen to this summer to make me feel better / worse about not going home.

The songs to listen to include:
-Les Champs Élysées by Joe Dassin
-Various songs by An Horse, Brandi Carlile, and The Seedy Seeds
-Alopecia and a few other songs by WHY?
-Le Temps de Vivre by Georges Moustaki
-Anything by Edith Piaf

Things to do include:
-Go for walks, especially after dinner and into the night
-Drive around unfamiliar places with the windows down
-Skype calls. All the time.
-Speak French at every opportunity

A lot of nights, I’m sure I’ll lay in bed listening to Joe Dassin with the windows open and the fan on.

This’ll be an adventure.


dearcissexism:

ryankun:

what not to do when someone asks you to use certain pronouns

  • ask them why
  • ask them whats between their legs
  • tell them theyre wrong
  • hammer them with personal questions

what to do when someone asks you to use certain pronouns:

  • call them by those pronouns
  • have a snack if you want w/e youre pretty much done here

Addition:

What not to do:

  • Tell them that’s not a “real” pronoun

What to do:

  • Ask them how to use it if you’re not sure

Also see “What to do if someone asks you to call them by a different name.”

(Source: muriearty)


Effective use of silence will make a statement that words never could.
Effective use of silence will make a statement that words never could.
Effective use of silence will make a statement that words never could.

So don’t* use your words. View Larger

Effective use of silence will make a statement that words never could.
Effective use of silence will make a statement that words never could.
Effective use of silence will make a statement that words never could.

So don’t* use your words.